FOUR CHAMBER PERCUSSION WORKSMichael Udow; "Michael's music is different. Metric, patterned, timbrally concise, it is dialectical: it makes changeable that which repeats and makes repetitive that which changes." "In Michael's music, timbre is never merely coloristic (thought it may embellish) nor associative (though it may evoke). Rather, timbre is structurally central, in the same sense that harmony is structurally central to, say, the Baroque." Available on LP only, with booklet.
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